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The Safe Blasphemy of Conclave
Conclave fails to be as as subversive as it wants to be or as interesting as it could have been.
Cool Stuff, Great Stories: Birmingham Pen Company
In praise of a beautifully and thoughtfully made writing instrument.
Cool Stuff, Great Stories: Butter Pat Industries and Cast Iron Chris
A brief appreciation post for two great brands for those who love to cook.
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‘Manchester by the Sea’ and the Nature of Guilt
One film finally understands the reality of finding yourself guilty.
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The Purpose and Power of ‘A Hidden Life’
A mediation on the story of Franz Jägerstätter, Terrence Malick's dramatization of his life, and the meaning and purpose of doing good in a world that may not notice.
![Dragged Across Concrete [Review]](https://images.squarespace-cdn.com/content/v1/63d722035bfa20247779737d/b61e14df-2956-460c-8214-3eaae04656b3/MV5BZmU0ZGZlODMtMjVlNy00M2MwLWI1ZjgtNjEzOGUwZWYxMmMzXkEyXkFqcGdeQXRyYW5zY29kZS13b3JrZmxvdw%40%40._V1_+%281%29.jpg)
Dragged Across Concrete [Review]
Dragged Across Concrete might have the earmarks of a gross, taunting provocation, but beneath that skin is a raw beating heart and a wily, captivating mind.
![The Standoff at Sparrow Creek [Review]](https://images.squarespace-cdn.com/content/v1/63d722035bfa20247779737d/fe3cf76b-dadd-40b0-8668-b01b852e7cf9/SPARROW-First-Interrogation--1024x431+%281%29.png)
The Standoff at Sparrow Creek [Review]
The Standoff at Sparrow Creek is a Swiss watch of style, plotting, and performance on all levels.
![The Grey [Review]](https://images.squarespace-cdn.com/content/v1/63d722035bfa20247779737d/893cb797-e1fc-4349-b09d-9a9e73109e29/grey%2Bbd%2B02.jpg)
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Parenthood as the Ultimate Horror in ‘A Quiet Place’
A Quiet Place is a terrifying analogy for raising children.
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‘Annihilation’ and the Impermanence of Self
An in-depth look at questions of identity and growth in Alex Garland’s Annihilation.
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What’s in an Ending?
Most movies don’t actually fail solely because of how they end. Gerald’s Game is the exception.
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No One Can Tell You What the Ending of ‘mother!’ Means
Explainer culture is ruining our curiosity for ambiguous art.
![mother! [Review]](https://images.squarespace-cdn.com/content/v1/63d722035bfa20247779737d/3fecf8e0-3505-45b7-906a-333b97ac464c/15MOTHERWEBP-superJumbo+%281%29.jpeg)
![Dunkirk [Review]](https://images.squarespace-cdn.com/content/v1/63d722035bfa20247779737d/11956168-9549-4680-a447-af5b9be61c4a/bb-t3-0037+%281%29.jpeg)
![Silence [Review]](https://images.squarespace-cdn.com/content/v1/63d722035bfa20247779737d/544a99ed-4a8c-48c3-b3ac-bedad4da0a43/silence2+%281%29.jpeg)
![Arrival [Review]](https://images.squarespace-cdn.com/content/v1/63d722035bfa20247779737d/1675092062037-N0OUG046WS86JTVLE1GQ/https___bucketeer-e05bbc84-baa3-437e-9518-adb32be77984.s3.amazonaws.com_public_images_badedfd1-5c8b-4ed5-94ea-11aa80e49fbb_1920x808+%281%29.jpeg)
![The Monster [Review]](https://images.squarespace-cdn.com/content/v1/63d722035bfa20247779737d/7ccbde65-a8d8-4229-a44b-e95013f51799/the-monster-1+%281%29.jpeg)
The Monster [Review]
There are no words strong or true enough to praise the work done by Zoe Kazan and Ella Ballentine in this new film from The Strangers director Bryan Bertino.