The Safe Blasphemy of Conclave
Conclave fails to be as as subversive as it wants to be or as interesting as it could have been.
Cool Stuff, Great Stories: Birmingham Pen Company
In praise of a beautifully and thoughtfully made writing instrument.
Cool Stuff, Great Stories: Butter Pat Industries and Cast Iron Chris
A brief appreciation post for two great brands for those who love to cook.
‘Manchester by the Sea’ and the Nature of Guilt
One film finally understands the reality of finding yourself guilty.
The Purpose and Power of ‘A Hidden Life’
A mediation on the story of Franz Jägerstätter, Terrence Malick's dramatization of his life, and the meaning and purpose of doing good in a world that may not notice.
Dragged Across Concrete [Review]
Dragged Across Concrete might have the earmarks of a gross, taunting provocation, but beneath that skin is a raw beating heart and a wily, captivating mind.
The Standoff at Sparrow Creek [Review]
The Standoff at Sparrow Creek is a Swiss watch of style, plotting, and performance on all levels.
Parenthood as the Ultimate Horror in ‘A Quiet Place’
A Quiet Place is a terrifying analogy for raising children.
‘Annihilation’ and the Impermanence of Self
An in-depth look at questions of identity and growth in Alex Garland’s Annihilation.
What’s in an Ending?
Most movies don’t actually fail solely because of how they end. Gerald’s Game is the exception.
No One Can Tell You What the Ending of ‘mother!’ Means
Explainer culture is ruining our curiosity for ambiguous art.
The Monster [Review]
There are no words strong or true enough to praise the work done by Zoe Kazan and Ella Ballentine in this new film from The Strangers director Bryan Bertino.